Twinkle Mehra is a filmaker in high-school. She wants to tell her stories, and show to the world what she can do. Twinkle is in is love with the idea of becoming a well-known female director for movies, and follows all of the female directors in Hollywood. Twinkle isn’t exactly the most popular person in her school so when her best friend leaves her to hang out with the ‘cool kids’ Twinkle feels the lost all the more painfully. But when Sahil Roy, a fellow classmate approaches Twinkle with an idea of making a play based around the movie Dracula, Twinkle is dragged into a project that will truly test her directing skills. Twinkle is initially very excited for this project, not only is it a chance for the whole school to see her skills, but it’s a chance to get closer to her longtime crush, Neil Roy, Sahil’s twin brother. As the film develops, and more and more problems arise, Twinkle’s skills will be tested to their fullest extent.
Menon, S. (2017). When Dimple Met Rishi. NY: Simon & Shuster.
Dimple and Rishi, two Indian-America teenagers, have finished high school and are excited to brave the beginning of the rest of their lives, however each have very different viewpoints of what that looks like. Dimple (who unfortunately never materialized any real dimples to live up to her name) has passionately chosen to pursue her career, beginning with a Stanford education. Rishi on the other hand is more traditional, choosing tradition and obedience over doing what makes his soul sing. His little brother, who is now bigger, taller, and much more muscular than the MIT-bound Rishi, suggests he be more balanced and reminds him of the comics he used to love.
Dimple and Rishi go to a computer programming summer camp in San Francisco; Dimple is thrilled to be studying with some of the best in the field and surprised her parents allowed her to go, while Rishi signed up because both sets of parents have actually set up an arranged marriage for their children and want them to get to know each other a bit before leaving for colleges on separate coasts. Rishi, a Continue reading
Gardner, W. (2017). You’re Welcome, Universe. New York: Knopf.
You’re Welcome, Universe is Whitney Gardner’s debut novel that smoothly weaves layer upon layer of diversity, beginning with Julia, a teenager who is Indian American and Deaf. She has two moms (who are also Deaf) but the story doesn’t pause for very long on this LBGQT+ detail; it simply is the way it is. Deaf culture, however, is a world that gets explored. And the inclusion of art is inter-dispersed throughout the pages of the book with drawings done by the author.
Julia’s character is real and raw and flawed. Often she is frustrated by people’s cluelessness regarding deafness, and she can be very abrupt about it. When we first meet her, she is in the principal’s office for spraying graffiti on school property. Nevermind she was covering up slurs about her friend, she still gets expelled.
Graffiti is another underrepresented world that is allowed a front row in this novel, and its validity is exposed. Julia’s passion for her art takes her around the city at night when she draws and then “tags” – not her name since graffiti is illegal – but a special signature that is hers alone. Little does Julia expect someone else to draw over her drawings, making them even better! An all-out graffiti war unfolds as we all wonder who is behind it.